FILM / TELEVISION

 

FILM / TELEVISION

 
 
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BLUEY 2018-present

engineering and editing

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WUNUNGU AWARA 2018-present

composer, sound designer, audio editor and engineer

Directors: Nurdewi Djamal & Callan Murray Producers:Nurdewi Djamal & Callan Murray DOP: Dan Schist Editor: Nurdewi Djamal

LOST DAYLIGHT 2019

composer

Single channel digital video, colour, stereo Two women traverse around one another in a motel; a guest retiring to leisure, and a housekeeper resisting it. directors statement: Leisure frees itself from dramatic narrative; long takes of insignificant details and events become the films’ operative subjects, in which the surplus of reality complemented with the accrual of duration, offers a mundane dramaturgy, if you will. By channeling the simple effect of a minimal-hyperrealist style, Leisure relishes in the literal depiction of routine (non)events of the leisure body and the labor body engaging in their respective quotidian circumstances, such as relaxing in the hot tub or cleaning the toilet. In representing everydayness through the quotidian details of two womens’ contrasting lives, I am investigating ordinary lives - the routines that no-one pays attention to, registering these minimal moments, so that when we see them, we acknowledge our own “everydayness” and evaluate what we are doing with our own lives. credits: motel guest deirdree wallace housekeeper danxia yang director / producer mia forrest cinematographer ben cotgrove editor mia forrest production designer samantha herriman production coordinator meg o'connell original score & sound design samuel pankhurst mastering engineer joe talia makeup artist billie weston 1st ac erin o'shiel sound recordist mary duong Screenings: Queensland Film Festival (July 2017) Channels (Australian Video Art Festival), Melbourne AUS (September, 2017) Aesthetica Short Film Festival, York UK (November, 2017) Revelation Perth International Film Festival (July, 2018)

LEISURE (2017)

original score and sound design

"the ordinary is not ordinary; it is extra-ordinary, uncanny" - Martin Heidegger A lavish thug poaches an exotic young trophy-boy and smuggles him into City Crush. When our would be ivory concubine escapes during his own sale he must navigate the desolation, boredom, and deviant lust of the locals. Film Festival Selections: Short Waves Festival (Poznan, Poland) - March, 2017 8th Cairo Video Festival (Cairo, Egypt) - Feb, 2017 Aesthetica Short Film Festival (York, UK) - Nov, 2016 Byron Bay International Film Festival (Byron Bay, AU) - Oct, 2016 BLOW-UP · Chicago International Arthouse FILM FEST - Oct, 2016 Atlanta Underground Film Festival (Atlanta, USA) - August, 2016 Cannes Court Métrage – Festival de Cannes (Cannes, FR) - May, 2016 AVIFF-Art Film Festival (Cannes, FR) - May, 2016 Alchemy Film & Moving image Festival (Hawick, UK) - April, 2016 Speechless Film Festival (Minnesota, USA) - March, 2016 Awards: Hong Kong Arthouse Film Festival (Hong Kong) - Best Experimental Film GENRE: EXPERIMENTAL RUNNING TIME: 13’24” ASPECT RATIO: 2.35 - SCOPE AUDIO: STEREO FORMAT: ARRI ALEXA, COLOUR COMPLETED: 2 NOVEMBER 2015 CAST AND CREW Cast (in order of appearance) Priest - Gene Von Banyard Stolen Trophy Boy - Harry Piaggio Breakdancing Thug in Red Tracksuit - Yukon Snakes Curious Bunny Lover - John Stefulj Daytime Infomercial Addict - Patricia Petersen Stolen Boys' Tribe - Kyrra MacDonald, Georgia McKevitt, Jenna Kenney, Holly Heath, Lauren Wylie, Isobel Salisbury, Benjamin Gane, Peta Carolan, Lachlan Evans, Renae Scotson, Luis Barnett. Crew Director, Producer, Editor - Mia Forrest Cinematographer - Jason Klaassen Production Designer - Alex Hodgins Original Score and Sound Designer - Samuel Pankhurst 1st AD - Jason Fitzgerald 1st AC - Corey Donaldson, Rachel Sieger, Gayle Wedemeyer Gaffer - Josh Long, Ricky Collier-Waiomio Sound Recordist - Jackson Scott, Mircha Mangiacotti ADR Recordist and Foley Artist - Mary Duong Head of Makeup - Billie Weston Data Wrangler - Daniel Taylor Colourist: Joe Lancaster at Chop Shop Post Stills Photographer - Joshua Ochoa, Adam Briggs SOFTWARES USED ADOBE PREMIERE PRO CC, DAVINCI 11

CITY CRUSH (2016)

original score and sound design